{"id":649,"date":"2023-12-13T14:39:20","date_gmt":"2023-12-13T13:39:20","guid":{"rendered":"https:\/\/yannbrecy.com\/?p=649"},"modified":"2025-09-01T10:03:44","modified_gmt":"2025-09-01T08:03:44","slug":"le-mauvais-vitrier","status":"publish","type":"post","link":"https:\/\/yannbrecy.com\/fr\/le-mauvais-vitrier\/","title":{"rendered":"Le Mauvais Vitrier"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"649\" class=\"elementor elementor-649\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e5de42a e-con-full e-flex e-con e-parent\" data-id=\"e5de42a\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-193ad20 e-grid e-con-full e-con e-child\" data-id=\"193ad20\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d0e3526 elementor-widget elementor-widget-html\" data-id=\"d0e3526\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<iframe width='100%' height='628' scrolling='no' allowfullscreen='true' src='https:\/\/philharmoniedeparis.fr\/fr\/pup\/embed\/audio\/5' \/><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-74043de e-con-full e-flex e-con e-child\" data-id=\"74043de\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a8b71a8 elementor-widget elementor-widget-heading\" data-id=\"a8b71a8\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Le Mauvais Vitrier \u2014 2023\t<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fe12104 elementor-widget elementor-widget-text-editor\" data-id=\"fe12104\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"p1\">Musique Fiction ambisonique \u2014 8 mn<\/p><p class=\"p1\">Expos\u00e9e et diffus\u00e9e \u00e0 la Taipei National University of the Arts (Ta\u00efwan) lors de l\u2019exposition \u201cIn every Aspect of Sound\u201d<\/p><p class=\"p1\">Publi\u00e9e sur <a href=\"https:\/\/philharmoniedeparis.fr\/fr\/labalise\/lecole-de-la-radio-et-de-la-creation-sonore\/5-le-mauvais-vitrier\" target=\"_blank\" rel=\"noopener\">La Balise \u2014 Radio de la Philarmonie de Paris 2023<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f9a36c8 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"f9a36c8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p class=\"p2\">Un matin que le po\u00e8te s\u2019est lev\u00e9 maussade, le cri \u00ab per\u00e7ant, discordant \u00bb d\u2019un vitrier monte jusqu\u2019\u00e0 lui \u00ab \u00e0 travers la lourde et sale atmosph\u00e8re parisienne \u00bb. Il est alors pris \u00e0 l\u2019\u00e9gard de \u00ab ce pauvre homme d\u2019une haine aussi soudaine que despotique \u00bb.<\/p><p class=\"p2\">Le personnage du vitrier et celui du narrateur \u00e9voluent dans une perspective quasi schizophr\u00e9nique entre les diff\u00e9rents espaces qui se dessinent gr\u00e2ce \u00e0 l\u2019audio spatialis\u00e9. Autant ext\u00e9rieurs qu\u2019int\u00e9rieurs, ces espaces nous prom\u00e8nent entre la cacophonie de la rue, les hauteurs de l\u2019escalier, ou encore la psych\u00e9 du personnage, le tout structur\u00e9 par un travail sonore autour du verre, allant de sa brillance et de sa musicalit\u00e9 \u00e0 sa froideur et son tranchant.<\/p><p class=\"p2\">\u00ab La r\u00e9alisation de cette fiction s\u2019est d\u00e9roul\u00e9e avec cette id\u00e9e en t\u00eate : sublimer le r\u00e9el. Chaque passage, musical ou fictionnel, provient d\u2019enregistrements effectu\u00e9s pour l\u2019occasion. Nous avons commenc\u00e9 par \u00e9crire notre trame narrative puis nous avons constitu\u00e9 un corpus de sons. C\u2019est notamment gr\u00e2ce au travail autour des sons de verres, tant\u00f4t entrechoqu\u00e9s, frapp\u00e9s, gratt\u00e9s, bris\u00e9s, \u00e0 leur d\u00e9coupage et leur transformation, que nous avons pu fabriquer le paysage sonore onirique qui se superpose \u00e0 la rue, \u00e0 l\u2019immeuble, et \u00e0 l\u2019action qui s\u2019y d\u00e9roule. \u00c9crite d\u00e8s le d\u00e9part pour un format d\u2019\u00e9coute spatialis\u00e9 sans avoir recours \u00e0 la synth\u00e8se sonore, tout l\u2019enjeu \u00e9tait de r\u00e9ussir \u00e0 d\u00e9former suffisamment ces textures pour les faire basculer dans l\u2019onirisme, tout en gardant un pied dans la r\u00e9alit\u00e9.<\/p><p class=\"p2\">Un autre enjeu de cr\u00e9ation a \u00e9t\u00e9 le choix de la voix de notre personnage. Nous avions envie de faire appel \u00e0 un seul com\u00e9dien pour incarner les deux personnages de la fiction, afin d\u2019assumer le c\u00f4t\u00e9 \u00e9trange de leur psych\u00e9. Sont-ils r\u00e9els ou bien n\u2019existe-t-ils que dans la t\u00eate de l\u2019un des deux ? \u00bb<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6b65649 elementor-widget elementor-widget-image\" data-id=\"6b65649\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/yannbrecy.com\/wp-content\/uploads\/elementor\/thumbs\/NTUA-e1725972534196-qtwj95hy9wkzctpm8dry8zuvpgdyu2uz8xfpp09dds.jpg\" title=\"NTUA\" alt=\"NTUA\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Le Mauvais Vitrier \u2014 2023 Musique Fiction ambisonique \u2014 8 mn Expos\u00e9e et diffus\u00e9e \u00e0 la Taipei National University of the Arts (Ta\u00efwan) lors de l\u2019exposition \u201cIn every Aspect of Sound\u201d Publi\u00e9e sur La Balise \u2014 Radio de la Philarmonie de Paris 2023 Un matin que le po\u00e8te s\u2019est lev\u00e9 maussade, le cri \u00ab per\u00e7ant, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":99,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-personal"],"_links":{"self":[{"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/posts\/649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/comments?post=649"}],"version-history":[{"count":34,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/posts\/649\/revisions"}],"predecessor-version":[{"id":685,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/posts\/649\/revisions\/685"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/media\/99"}],"wp:attachment":[{"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/media?parent=649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/categories?post=649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yannbrecy.com\/fr\/wp-json\/wp\/v2\/tags?post=649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}